Oil painting as a form of art media there is no national boundaries
Oil painting as a form of art media there is no national boundaries
Due to the identity of the artists belonging problem makes oil painting the creation of art artists in the environment of the brand mark inevitably. To determine the country art belongs in terms of its essence is a token of art is not independent. We are influenced by western subject classification the arts as an independent discipline, custom oil painting although in its internal and can be divided into different secondary level 3 is even more meticulous subclasses, but we can't deny art on the existing system of independence.
Artists identity of independence makes art exist in political, economic, religious and ethnic influence and so on various aspects of attachment, but in terms of its interpretation system and sui generis. This system is constructed on the basis of all kinds of balance of power in the compromise "contract", the "contract" is a writing custom portrait painting system and the time correction. Art system is relatively stable in the mainstream artists and art evaluation system on the premise of relatively stable. A wide range of the balancing effects of a small scale, political and economic balance determines the art of balance. Borders has become one of the most important categories in regional difference, because it is linked to the political sphere of influence.
The problem of the sinicization of painting since wholesale oil painting was introduced into China began this historical process, but clear up three times, in the twentieth century 30 s, 50 s and eighty s. Oil painting was originally into China can be traced back to 1542 (jiajing of 21 years), the distance of van eck brothers and others but a little more than one hundred paintings experiment. In the qing dynasty was high, however, the missionaries painter the scenery, they had no real paintings
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occupy a position in the history of Chinese art scene.
International students after the opium war and missionaries painter in a concerted effort to increase the number of Chinese oil painters start, of course there are fine after the appearance of the local artists. To launch the first painting of the main causes of sinicization of wave is the need of national pride. 30 s Shanghai become the center of the oil painting creation and replaced the glorious position of guangzhou, in spite of the colonial power center the factors of change, but the national government's official behavior of here can not be ignored. Shanghai, once become the civil political balance, oil painting after the traditional Chinese painting as a new art goods in Shanghai. Soon, the fire of the Anti-Japanese War broke everything, including the development of Chinese oil painting is a dream. Long-term war of resistance against Japan and the subsequent busy in the war of resistance and selection of the national liberation war makes artists stand the edge of the line, painting the sinicization of construction schedule had to repeatedly postponed
Lee strong PangMaoKun Shao Changyi wei jia Zhang oil painting Jikai Sun Guojuan dong zhong Dai Guangyu zhao nengzhi oil painting guo we